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OPERA & THE MORBIDITY OF MUSIC(ISBN=9781590172650)书籍详细信息
- ISBN：9781590172650
- 作者：暂无作者
- 出版社：暂无出版社
- 出版时间：2008-04
- 页数：373
- 价格：108.50
- 纸张：胶版纸
- 装帧：精装
- 开本：16开
- 语言：未知
- 丛书：暂无丛书
- TAG：暂无
- 豆瓣评分：暂无豆瓣评分
内容简介：
The death of classical music, the distinguished critic and
musicologist Joseph Kerman declares, is “a tired, vacuous concept
that will not die.” In this wide-ranging collection of essays and
reviews, Kerman examines the ongoing vitality of the classical
music tradition, from the days of Guillaume Dufay, John Taverner,
and William Byrd to contemporary operas by Philip Glass and John
Adams.
Here are enlightening investigations of the lives and works of
the greatest composers: Bach and his Well-Tempered Clavier,
Mozart’s and Beethoven’s piano concertos, Schubert’s songs,
Wagner’s and Verdi’s operas. Kerman discusses The Magic Flute as
well as productions of the Monteverdi operas in Brooklyn and the
Ring in San Francisco and Bayreuth. He also includes remembrances
of Maria Callas and Carlos Kleiber that make clear why they were
such extraordinary musicians.
Kerman argues that predictions—let alone assumptions—of the
death of classical music are not a new development but part of a
cultural transformation that has long been with us. Always alert to
the significance of historical changes, from the invention of music
notation to the advent of recording, he proposes that the place to
look for renewal of the classical music tradition in America today
is in opera—in a flood of new works, the rediscovery of
long-forgotten ones, and innovative productions by companies large
and small. Written for a general audience rather than for experts,
Kerman’s essays invite readers to listen afresh and to engage with
his insights into how music works. “His gift is so uncommon as to
make one sad,” Alex Ross has said.
书籍目录：
PREFACE
Classical Music: Rise and Fall, and Rise
Opera and the Morbidity of Music
Two Cheers for Rach 3
Labyrinth Music
William Byrd and the Catholics
The Operas of Monteverdi
Bach: A Short Life
A Guide to The Well-Tempered Clavier
Wilfrid Mellers on Bach
Mozart: Four Biographies
Mozart's Last Year
Playing Mozart: The Piano Concertos
The Magic Flute
Sonata Forms
Beethoven: Works and Life
Beethoven Hero
Text and Act: Beethoven's Concertos
Three Riffs on the Ninth
The Romantic Generation
Schubert's Songs
Berlioz: A Life
Reading Opera
Verdi: A Life
Verdi: The Late Operas
Wagner and Wagnerism
A Ring for San Francisco
Bayreuth, 2001
The Art of the Program Note
Maria Callas (1923-1977)
Carlos Kleiber (1930-2004)
SOURCES
INDEX
作者介绍：
Joseph Kerman is emeritus professor of music at the University
of California, Berkeley. He began writing music criticism for The
Hudson Review in the 1950s, and is a longtime contributor to The
New York Review of Books and many other journals. His books include
Opera as Drama (1956; new and revised edition 1988), The Beethoven
Quartets (1967), Contemplating Music (1986), Concerto Conversations
(1999), and The Art of Fugue (2005).
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书籍介绍
The death of classical music, the distinguished critic and musicologist Joseph Kerman declares, is “a tired, vacuous concept that will not die.” In this wide-ranging collection of essays and reviews, Kerman examines the ongoing vitality of the classical music tradition, from the days of Guillaume Dufay, John Taverner, and William Byrd to contemporary operas by Philip Glass and John Adams.
Here are enlightening investigations of the lives and works of the greatest composers: Bach and his Well-Tempered Clavier, Mozart’s and Beethoven’s piano concertos, Schubert’s songs, Wagner’s and Verdi’s operas. Kerman discusses The Magic Flute as well as productions of the Monteverdi operas in Brooklyn and the Ring in San Francisco and Bayreuth. He also includes remembrances of Maria Callas and Carlos Kleiber that make clear why they were such extraordinary musicians.
Kerman argues that predictions—let alone assumptions—of the death of classical music are not a new development but part of a cultural transformation that has long been with us. Always alert to the significance of historical changes, from the invention of music notation to the advent of recording, he proposes that the place to look for renewal of the classical music tradition in America today is in opera—in a flood of new works, the rediscovery of long-forgotten ones, and innovative productions by companies large and small. Written for a general audience rather than for experts, Kerman’s essays invite readers to listen afresh and to engage with his insights into how music works. “His gift is so uncommon as to make one sad,” Alex Ross has said.
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