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English Ethnicity and Race in Early Modern Drama书籍详细信息
- ISBN：9780521027311
- 作者：暂无作者
- 出版社：暂无出版社
- 出版时间：2012-01
- 页数：272
- 价格：418.00
- 纸张：胶版纸
- 装帧：平装
- 开本：16开
- 语言：未知
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内容简介：
In English Ethnicity and Race in Early Modern Drama, Mary
Floyd-Wilson outlines what we might call 'scientific' conceptions
of racial and ethnic differences in sixteenth- and
seventeenth-century English writing. Drawing on classical and
contemporary medical texts, histories and cosmographies,
Floyd-Wilson demonstrates that Renaissance understandings of racial
and ethnic identities contradicted many modern stereotypes
concerning difference. Southerners, Africans, in particular, were
identified as dispassionate, cool-tempered and wise, whereas the
more northern English were understood to be unruly, impressionable
and slow-witted. Concerned with the unflattering and constraining
implications of this classically derived knowledge, English writers
laboured to reinvent ethnology to their own advantage - a labour
that paved the way for the invention of more familiar racial ideas.
Floyd-Wilson highlights these English revisionary efforts in her
surprising and transformational readings of the period's drama,
including Marlowe's Tamburlaine, Jonson's The Masque of Blackness
and Shakespeare's Othello and Cymbeline.
书籍目录：
List of illustrations
Acknowledgements
Introduction: the marginal English
Part I. Climatic Culture: The Transmissions and Transmutations of
Ethnographic Knowlege: 1. The ghost of Hippocrates: geohumoral
history in the West
2. British ethnology
3. An inside story of race: melancholy and ethnology
Part II. The English Ethnographic Theatre: 4. Tamburlaine and the
staging of white barbarity
5. Temperature and temperance in Ben Jonson's The Masque of
Blackness
6. Othello's jealousy
7. Cymbeline's angels
Notes
Index.
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书籍介绍
In English Ethnicity and Race in Early Modern Drama, first published in 2003, Mary Floyd-Wilson outlines what we might call 'scientific' conceptions of racial and ethnic differences in sixteenth- and seventeenth-century English writing. Drawing on classical and contemporary medical texts, histories and cosmographies, Floyd-Wilson demonstrates that Renaissance understandings of racial and ethnic identities contradicted many modern stereotypes concerning difference. Southerners, Africans, in particular, were identified as dispassionate, cool-tempered and wise, whereas the more northern English were understood to be unruly, impressionable and slow-witted. Concerned with the unflattering and constraining implications of this classically derived knowledge, English writers laboured to reinvent ethnology to their own advantage - a labour that paved the way for the invention of more familiar racial ideas. Floyd-Wilson highlights these English revisionary efforts in her surprising and transformational readings of the period's drama, including Marlowe's Tamburlaine, Jonson's The Masque of Blackness and Shakespeare's Othello and Cymbeline.
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