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The Cambridge Introduction to Samuel Beckett(ISBN=9780521547383)书籍详细信息
- ISBN:9780521547383
- 作者:暂无作者
- 出版社:暂无出版社
- 出版时间:2011-11
- 页数:140
- 价格:175.50
- 纸张:胶版纸
- 装帧:平装
- 开本:32开
- 语言:未知
- 丛书:暂无丛书
- TAG:暂无
- 豆瓣评分:暂无豆瓣评分
内容简介:
This is an eloquent and accessible introduction to one of the
most important writers of the twentieth century. This book provides
biographical and contextual information, but more fundamentally, it
also considers how we might think about an enduringly difficult and
experimental novelist and playwright who often challenges the very
concepts of meaning and interpretation. It deals with his life,
intellectual and cultural background, plays, prose, and critical
response and relates Beckett's work and vision to the culture and
context from which he wrote. McDonald provides a sustained analysis
of the major plays, including Waiting for Godot, Endgame, and Happy
Days and his major prose works including Murphy, Watt and his
famous 'trilogy' of novels (Molloy, Malone Dies, The Unnamable).
This introduction concludes by mapping the huge terrain of
criticism Beckett's work has prompted, and it explains the turn in
recent years to understanding Beckett within his historical
context.
书籍目录:
Acknowledgements page
Note on editions
Introduction
Chapter 1 Beckett's life
Chapter 2 Cultural and intellectual contexts
Chapter 3 Plays
Waiting for Godot
Endgame
Radio plays: All That Fall and Embers
Krapp's Last Tape
Happy Days
Chapter 4 Prose works
More Pricks than Kicks
Murphy
Watt
The Trilogy: Molloy, Malone Dies, The Unnamable
How It Is
Chapter 5 Beckett criticism
Notes
Guide to further reading
Index
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书籍介绍
This is an eloquent and accessible introduction to one of the most important writers of the twentieth century. This book provides biographical and contextual information, but more fundamentally, it also considers how we might think about an enduringly difficult and experimental novelist and playwright who often challenges the very concepts of meaning and interpretation. It deals with his life, intellectual and cultural background, plays, prose, and critical response and relates Beckett's work and vision to the culture and context from which he wrote. McDonald provides a sustained analysis of the major plays, including Waiting for Godot, Endgame, and Happy Days and his major prose works including Murphy, Watt and his famous 'trilogy' of novels (Molloy, Malone Dies, The Unnamable). This introduction concludes by mapping the huge terrain of criticism Beckett's work has prompted, and it explains the turn in recent years to understanding Beckett within his historical context.
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