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Monet and the Impressionists by George T. M. Shackleford and Jonathan Mane-Wheoki书籍详细信息
- ISBN：9781741740295
- 作者：暂无作者
- 出版社：暂无出版社
- 出版时间：2009-01
- 页数：228
- 价格：249.10
- 纸张：铜版纸
- 装帧：平装
- 开本：大16开
- 语言：未知
- 丛书：暂无丛书
- TAG：暂无
- 豆瓣评分：暂无豆瓣评分
内容简介：
When Claude Monet exhibited his paintings for the first time
in Paris, he acknowledged no teacher, intending to claim complete
originality for his works. Since then, many writers have sought to
corroborate his originality, latching on to statements such as What
I do here will at least have the merit of not resembling anybody.
Because it is simply the expression of what Ive experienced by
myself (letter to Bazille, 1866). In actual fact, Monet was
gregarious, passionately interested in the paintings of his
predecessors and contemporaries, and he made a common political
cause with his fellow impressionists, being a principal organizer
of their first exhibitions. This book aims to recreate the artistic
milieu of Monet and show his rapport with the unconventional
non-academic currents of French art including the preceding
generation of landscapists of the Fontainebleu School and the
succeeding generation, including Paul Gauguin. Paintings by Claude
Monet, approximately 20 in all, are grouped with the works of other
artists connected to Monet to suggest the range of his experience,
his influences, and the influence of his art, from his beginnings
in the 1860s to the years after 1900. The artists used for
comparison include greats such as Renoir, Sisley, Pissarro, Degas
and Cézanne.
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书籍介绍
When Claude Monet exhibited his paintings for the first time in Paris, he acknowledged no teacher, intending to claim complete originality for his works. Since then, many writers have sought to corroborate his originality, latching on to statements such as What I do here will at least have the merit of not resembling anybody. Because it is simply the expression of what Ive experienced by myself (letter to Bazille, 1866). In actual fact, Monet was gregarious, passionately interested in the paintings of his predecessors and contemporaries, and he made a common political cause with his fellow impressionists, being a principal organizer of their first exhibitions. This book aims to recreate the artistic milieu of Monet and show his rapport with the unconventional non-academic currents of French art including the preceding generation of landscapists of the Fontainebleu School and the succeeding generation, including Paul Gauguin. Paintings by Claude Monet, approximately 20 in all, are grouped with the works of other artists connected to Monet to suggest the range of his experience, his influences, and the influence of his art, from his beginnings in the 1860s to the years after 1900. The artists used for comparison include greats such as Renoir, Sisley, Pissarro, Degas and Cézanne.
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